故事是这样的：1920年代的中亚沙漠，一支红军小分队在弹尽粮绝的困境中被白军骑兵围困。主角乔克莫罗夫演的政委全程沉默寡言，但你从他勒马时绷紧的肩线、拨枪前眯眼的动作里，就能读出这个角色的疲惫与决绝。女演员坎巴罗娃饰演的部落女性更让人眼前一亮，她扛枪翻山时那股不服输的野性，比许多战争片里的男性角色都硬气。适合那些厌倦了程式化英雄叙事、更愿意从一段漫长沉默里读出故事的观众。 主演苏伊曼库尔·乔克莫罗夫演得太绝了，他那个眼神，又冷又倔，像沙漠里的石头。剧情其实挺简单，讲一队人在荒漠里被围困，但每一颗子弹都让你跟着紧张，尤其是最后一颗，怎么用？给谁？哎呀，看完能琢磨好几天。

　　The Seventh Bullet is a Soviet Ostern film of 1972 directed by Ali Khamraev. In the same tradition as The White Sun of the Desert and The Bodyguard, The Seventh Bullet is set after the Russian Civil War which ended in the 1920s when Soviet power established itself in Central Asia in the wake of the Basmachi rebellion. Despite this slight shift in emphasis and a post-war setting, The Seventh Bullet is closer to a typical war film than other Red Westerns because of a prominence of tactical resourcefulness in the development of the plot. Although of course this is a staple of many American Westerns from John Ford's cavalry series to the many Apache war films.
　　Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left—the seventh, and he must not miss his target!

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