哎，我跟你说，雅克·贝克这部《装饰》真的特别有意思。 :D。店里昼夜不息的缝纫声、蕾丝与绸缎的摩擦声，掩盖着设计师对完美近乎偏执的追求，以及女孩与旧日恋人之间若即若离的拉扯。他清点旧物时，发现墙上残留的壁纸花纹、舞台角落的褪色幕布，似乎都指向一位失踪多年的女高音歌手的秘密。贝克的镜头冷静而精准，叙事像一把细齿梳子，慢慢梳理出战后法国社会中人与人之间微妙的疏离与依赖。导演擅用深焦镜头和固定机位，在狭小的剧院空间内铺陈出层层递进的张力——开场十分钟的长镜头，通过演员进出不同幕布区域，已悄然完成现实与虚构的边界置换。

Philippe Clarence, a famous Parisian dressmaker, seduces his friend's fiancee. But, for the 1st time in his life, this is for real. The film is also a sharp picture of the fashion world. 　　A philandering young dress designer plays fast and loose with the hearts of all the fair maidens he encounters, and leaves them in a Paris lurch. But when he meets the fiancée of his best frien...

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