这是一部让我印象深刻的电影。彼得·弗莱施曼抛弃了繁复的叙事，以近乎观察者的冷静镜头，忠实记录了狩猎全过程，将自然苍凉之美与人性细微的情绪张力融合得天衣无缝，视觉语言极简却震撼。如果你喜欢纪录片式的真实质感，或者单纯想看那种带着淡淡忧伤的青春回忆，这片子很值得一看。整部片几乎没有对白，纯粹靠节奏和冲突推动，张力拉得很满。影片虽以“打猎”为名，实则是借狩猎探寻人与自然间既对抗又共生的微妙关系。阿尔弗雷德·维尔纳贡献了教科书级别的表演，眼神里全是绝望和疯狂，看着就让人后背发凉。

ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.

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